It was nominated for Best Album at the 2010 UK Asian Music Awards but did not win.
It includes the singles "Amplifier", "Bewafa", and a remix of his first single, "Ni Nachleh". In July 2009, Khan released his debut album, Unforgettable. His second single, "Bewafa," was produced by Hakan Ozan and was released on 30 August 2009 as of January 2020, its music video had been viewed more than 100 million times on YouTube. It received 2 million views on YouTube on it first week of release and currently has 400 million and counting views on YouTube. Khan's first released single, "Amplifier", was produced by Eren E, was released on 12 July 2009. After Prestige Records released his debut single Ni Nachleh, he continued his career by performing in several countries.
Khan started his music career in his late teens. Well done Kasumbi.Khan's family originally hails from Gujranwala, Punjab, Pakistan. What sets this electropop number apart from the others is its musical production, especially the electronic rimbatubes playing on a loop in the background. You can deduce that from these lyrics: Dikhnay mein spice girl/ Lehjay se woh lagti nice girl/ Stone-cold heart, ice girl/ Am I in for a surprise, girl?Ĭompletely frozen, he’s unable to do something about it other than recognise the situation for what it is: unhealthy, complicated and that, for now, he’s completely trapped. But it’s like watching a slow-moving train crash, even though he knows the end is coming (and it’s probably for the best). Īt some level, the protagonist knows that everything in this relationship is seriously messed up. In the simple chorus, Hasan croons: It’s like a fall/ Baby I can’t take it all/ Don’t even know where I am/ Chahiye mujhay koi miracle. This Urdu-English bilingual track is about getting caught up and twisted in a complicated, unhealthy relationship.
It’s a mostly Punjabi number and, instantly upon listening to his parts, you can tell Hasan’s been thrown into completely unfamiliar musical territory 'Faasla' is from Shamoon Ismail’s full-length album, Scars and Screws. Hasan has worked with Abdullah on a number of his most popular songs, which include the likes of the dreamy 'Aisay Kaisay', the playful 'Joona' and the moody, experimental track from way back in the early days, 'Khayal'. They can do better together.įollowing the moody vibe of 'Faasla' is another one of Hasan Raheem’s songs, 'Adjust', featuring the production talents of Abdullah Kasumbi. 'Faasla' is a good song and it definitely has its more magical moments, but it’s not terribly unique or original. Is this the best Shamoon Ismail and Hasan Raheem could do together? I hope not. The protagonist has been left dangling and played by the object of his obsession for far too long. A better listen is Raheem’s own 'Adjust'Īn electronic Punjabi rap song, at the crux of it, 'Faasla' is about drawing boundaries. Shamoon Ismail and Hasan Raheem’s collaboration 'Faasla' is not terribly unique. His enunciation of Punjabi sounds like he’s reading off a script and trying to do the best he can. It’s a mostly Punjabi number and, instantly upon listening to his parts, you can tell Hasan’s been thrown into completely unfamiliar musical territory. This latest collaboration, 'Faasla' is from Shamoon Ismail’s full-length album, Scars and Screws.